Price | Bid Increment |
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$0 | $5 |
$50 | $10 |
$200 | $25 |
$500 | $50 |
$1,000 | $100 |
$5,000 | $250 |
$10,000 | $500 |
Includes listed local artist Ken Shores (1928-2014) signed half-glazed and ruffled studio pottery dish (5.5" x 6") and 2010 Museum of Contemporary Craft "Ken Shores: Clay has the Last Word" book.
Available payment options
Bidder’s Terms and Conditions
1. You must have a bidder’s number to bid/purchase.
2. Payment options include cash, check, Visa, MasterCard, and Discover.
3. A thirteen percent (13%) buyer’s premium will apply to all onsite sales (3% cash discount). Online bidders pay an eighteen percent (18%) buyer’s premium.
4. Everything is sold as-is, where-is, in its present condition with no warranty stated or implied.
5. Written absentee bids are accepted with a secured method of payment.
6. Preview is encouraged. Catalogs are meant to be used as a guide only. Please bid by your own inspection.
7. All sales are final.
8. Auction winnings must be paid in full before packing and pickup. Pickup will be on auction night or during auction house hours:
· Monday - Friday from 9am until 4pm.
· Saturday following auction 10 am - 3 pm
· Sundays & all other Saturdays: by appointment only
· Other hours are available by appointment.
· Items left more than fourteen (14) days will be considered abandoned and forfeited to McLaren Auction Services.
An Oregon artist born in Lebanon Or. Ken earned his MFA with honors in 1957 from the university of Oregon.
Upon graduation Ken became an artist in residence at the Oregon Ceramic Studio from 1957 to 1964. From 1965 to 1968 Ken served as the director of the Contemporary Crafts Gallery (renamed the Museum of Contemporary Craft, the oldest (1909) continuously running craft museum on the west coast which closed amid controversy in 2016).
From 1968 to 1995 Ken established and built the art departments new ceramics department at Lewis and Clark College and served as the chairman for the art department for 9 years.
Ken Shores is historically significant as a major player in the American arts and crafts movement in the 1950’s by helping to elevate pottery from a functional level to that of a fine art. In 1980 Ken Shores was elected lifetime trustee emeritus to the national board, American Craft Council, New York, NY.
Ken maintained his studio practice after retirement and continued to show his work locally at the Fountain Gallery (now Russo/Lee) and the Pulliam/Deffenbaugh gallery both in Portland Oregon and the Foster/White gallery in Seattle Washington.
Ken’s work is represented in the Portland Art Museum, Seattle Art Museum, Smithsonian Institution, Washington D.C. and numerous corporate and private collections throughout the United States.
Ken Shores was an active contributor to the art scene in Portland as a creator, collector and mentor.